I was most intrigued by the work of Teresita Fernandez. Fernandez interests lie in landscape and natural phenomena, a major component of Eruption were thousands of glass beads. It sucks you in – from afar the object appears as one mass - on an intimate level the various components reveal themselves. While I was standing there, the conservator popped along and refilled it – I was delighted by this little bit of information and regarded the piece on a different level. Yes, generally most objects are an assembly of parts but I loved the fluidity she created within a static object.