tag:blogger.com,1999:blog-62159902717825602222024-03-13T15:27:49.255+00:00Black studio...Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.comBlogger115125tag:blogger.com,1999:blog-6215990271782560222.post-90235077112438731462013-10-16T18:00:00.000+01:002013-10-16T18:04:10.257+01:00Open Studios<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I did the open
studio thing a couple of weeks ago, which provided an opportunity to watch my film
behave as a projection. Open studios isn't generally the ideal situation to
show a film work. The piece itself is quite contemplative and has a great deal
of silence punctuated by sound – plus the long echoey corridor adjacent didn’t
really help matters. You realise pretty quickly that only 10% of those viewing
it might attempt to watch the entire thing – but that’s a hazard of video I
spose. Also I reckon there are lots of preconceptions about what an open studio
is (apart from the expectation of actual art objects i.e. paintings and things)
they are characteristically social events.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">But despite this it
was a really useful exercise, some issues were immediately clear for example my
treatment of the transitioning between subtitles. There were also (embarrassingly) lots of
typos, which seemed invisible on a small screen. Especially whilst dealing with
all the other elements of editing. So it was good idea to try it as a test bed
to help iron the thing out. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">But the process of making
the movie has stimulated a desire to make one more show out of this project. I want
to make some new objects, screen the film and continue to finish some animation
I’ve been working on over the summer. All this I think - with re-visitation and
maybe some reworking of a few components from the last solo show.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">Now the only thing is
to work out where to have it, how to pay for it, and how to fit it in between
another kind of creation, which will soon be upon me…<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-v4-zIn3hzvs/Ul7Fq3-dijI/AAAAAAAAAr8/bo-fvcaQkfw/s1600/Maurice+32+-+42.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-v4-zIn3hzvs/Ul7Fq3-dijI/AAAAAAAAAr8/bo-fvcaQkfw/s400/Maurice+32+-+42.jpg" width="223" /></a></div>
<div class="MsoNormal">
<span lang="EN-US"><br /></span></div>
<!--EndFragment--></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-12771537459317303852013-10-04T11:04:00.002+01:002013-10-04T11:06:05.331+01:00Open House<div dir="ltr" style="text-align: left;" trbidi="on">
<div style="text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif;">I've finally got a first edit of my film and I'm gonna try out a test screening in mi studio at <a href="http://lewishamarthouse.org.uk/" target="_blank">Lewisham Arthouse</a>. Opening tonight from 6-9pm Saturday 5th and Sunday 6th 12-6pm. </span></div>
<div style="text-align: center;">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-ril4SZkHMdY/Uk6RtQg9kTI/AAAAAAAAArs/mSH-dbFAqz0/s1600/IMG_0642.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" height="400" src="http://2.bp.blogspot.com/-ril4SZkHMdY/Uk6RtQg9kTI/AAAAAAAAArs/mSH-dbFAqz0/s400/IMG_0642.jpg" width="300" /></span></a></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Times, Times New Roman, serif;"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<span style="font-family: Trebuchet MS, sans-serif;">Come by theres plenty to see this weekend in sunny Deptford.</span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://www.deptfordx.org/"><span style="font-family: Trebuchet MS, sans-serif;">www.deptfordx.org</span></a></div>
<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-78092917443228010242013-07-25T13:23:00.001+01:002013-07-25T13:25:06.122+01:00On and On...<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="MsoNormal">
<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">“Mmmm oh yeah
lord! Mmmm well err brother Tony - do you know about consciousness? Well
consciousness is accepting the fact that your Black –right? and from that
revelation everything is cool. Now individualism is a white mans desire or
something like that (well you dig what I’m saying you know what I’m saying?) Co-operation
is a black mans need and when you know your Black then - you think black and
you will black…”<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: Trebuchet MS, sans-serif;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">From <a href="http://www.screenonline.org.uk/film/id/480497/" target="_blank">The pressure
Horace Ov</a></span><a href="http://www.screenonline.org.uk/film/id/480497/" target="_blank">é</a></span><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";"><o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">Been laid up for
the past few weeks, which has ultimately left me in quite lethargic state. I’ve had some very tedious tasks to do which
keeps guilt from snapping at my heels - but critical thinking? Not much of
that… I knuckled down this week to looking at a text someone suggested after
seeing my collages T<a href="http://www.thamesandhudson.com/The_Body_in_Pieces/9780500283059" target="_blank">he Body in pieces: Fragments as a metaphor for modernity byLinda Nochlin</a>. The book examines the articulation of modernity in art, mainly
concentrating on 18<sup>th</sup> and 19<sup>th</sup> century painting; Starting
with a lamentation of the loss of antiquity (the monument in pieces) - to artists
like Monet and Degas among others, focusing on their use of cropping and
aligning fluid impressionist brushwork with philosophy from the likes of Marx. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">The notion of
sacrifice is central to the story of St Maurice and this book covered this
subject with references to the French Revolution and even Van Gogh’s fated ear
incident. But what really caught my attention was her reference to <a href="http://en.wikipedia.org/wiki/Charles_Baudelaire" target="_blank">Baudelaire </a>citing
fluidity and vapourousness as distinctive characteristics of modernity. Yes
this is obvious and has been reiterated many times over the decades since. But
it got me thinking about my work, and the question that keeps popping into my head
from time to time. Is it possible to
talk about the Black or the ‘Black experience’ in relation to something other
than the post colonial? Some years back I came across a debate where Stuart
Hall asked the very question who modernism belongs to? And although the ‘Post’ of
colonialism must in someway be linked to the to rise of modernism, the
convention has always been to talk about these things quite separately – is
this just a case of geography? <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">But Blackness as a
thing (its hypostatisation - a new word I came across recently) is an invention
of the occident, and one which itself has become very fluid – certainly it
harder to tie it down then it was in the 60’s n 70’s. I have felt uneasy at times focusing on the
thing in its vagueness. But it has (in a
way) been my strategy to consider Black past its Post-Colonialness.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I think about the
renewal of feminism in recent years, in a way that I think has a more global
perspective. From this view one can regard it more functionally, which releases
it from its ossified typecast. Although
Feminism never died, it has been given some revitalisation as a project, and
fresh application in new contexts. I wonder if Black will continue to be useful
or if it is already outlived its usefulness? In that sense it brings me back to
my earlier work. <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">Now because I came
from a sculpture background I’m always comparing things to form, to the
object. The re-appropriation of what
might be considered at some point as outmoded, through nostalgic appreciation
in the spirit of conservation or some kind remodelling or adaptation.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I’ve been kinda
stumped, as my <a href="http://www.blackstudioart.blogspot.co.uk/2010/08/in-between.html" target="_blank">drawings</a>, which offered an optimistic scientific newness felt
rather trapped and isolated. They just existed but didn’t live; and some how I
haven’t worked out the evolution. This is why I turned to an earlier Black
invention, if not a modern one. Focusing on the objects depicting my saint, would
allow a view through the lens of an archivist, coupled with insight I have gained
as a maker. Having done this he appears as a mass of material – a shifting
form, which keeps the story moving on…<o:p></o:p></span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-p1q6gzon65s/UfEYl1nuKWI/AAAAAAAAArY/eR_oou5GBHE/s1600/DSC09195.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="http://1.bp.blogspot.com/-p1q6gzon65s/UfEYl1nuKWI/AAAAAAAAArY/eR_oou5GBHE/s400/DSC09195.JPG" width="400" /></a></div>
<div class="MsoNormal">
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-1243597529629897982013-06-20T18:36:00.001+01:002013-06-20T18:43:03.893+01:00Thanks you tube!<div dir="ltr" style="text-align: left;" trbidi="on">
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-74625724688801493412013-06-10T11:54:00.000+01:002013-06-10T11:54:26.374+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-53518020049808138962013-05-21T14:32:00.001+01:002013-05-21T14:32:32.268+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-21212141834809526542013-04-08T18:32:00.000+01:002013-05-20T13:49:11.593+01:00The making of …<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://4.bp.blogspot.com/-M51SmnA4Qy0/UZobktoxk9I/AAAAAAAAApI/06ekDSyjl-k/s1600/2013-02-15+12.52.31.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-M51SmnA4Qy0/UZobktoxk9I/AAAAAAAAApI/06ekDSyjl-k/s400/2013-02-15+12.52.31.jpg" width="300" /></a></div>
<span style="font-family: Cambria; font-size: 12pt;"><br /></span>
<span style="font-family: Cambria; font-size: 12pt;">Lets
begin with the origins of this story, which comes through the virtue of
struggle.</span></div>
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<span style="font-family: Cambria; font-size: 12pt;">A
story personally peculiar, sitting in-between yet of the culture …</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">I
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<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">“The
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Historical
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">“He
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<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"> </span></span><span style="font-family: Cambria; font-size: 12pt;">He
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theoretical, it’s difficult to know what comes first?<o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Can
it be designed - then produced?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Does
geometry or symmetry play part?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">‘Form-blind’
working in the abstract is the only means available… <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Drums
resonate through the corridor…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">In
other circumstances it might be meditative <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Does
sacrifice have a sound track?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Maybe
an intervention needs to take place here…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: 16px;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: 16px;">buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz</span><span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">A
maker befriended his model<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">“He
possessed a marked propensity for creating legends…”<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
told a story of a substance invested with great symbolism. Coveted by many some
saw the potential in harnessing its power and worked hard to master its craft.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
continues this tale with a king, whose appetite for the substance was
insatiable. The king lost his crown – not defending his kingdom but in a
freakish happenstance.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">“He
walked bare foot through ice and snow from the monastery…. “<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
prayed to get it back.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Another
‘hero’ put thoughts to paper<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
dissuaded others from doing the same<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Just
get stuck in, try your best - sweep the
remains aside…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Trying
too hard could kill it…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: 16px;">buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">When
did ‘it’ come into the picture?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Lets
be methodical about this and list the properties…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal" style="margin-left: 72.0pt;">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">1. Soft<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-left: 72.0pt;">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">2. Dark<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-left: 72.0pt;">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">3. Round<o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"> or <o:p></o:p></span></span></div>
<div class="MsoNormal" style="margin-left: 36.0pt;">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">a.
Smooth<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">b.
Dark<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">c.
Handsome<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Protected
by interlocking circles, He took on a colour for the collective.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Sadly
his “lance, shield and lower parts of the legs are now missing…”<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">His
arms still work but he’s is unable to march towards the new frontier <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Whine
rattle <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">bizzzzz
<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">buzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Fuck
!<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">All
things should have the dignity of a name<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">If
chosen correctly good influences can rub off<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">In
company? <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">There
is strength in numbers<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">What
can boredom unleash?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">I
was taught some rudimentary skills once but my memory fails me.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">“You
have to persist in being truthful to your intentions”<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">What
ever they are…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Without
a clock I utilize ancient timekeeping methods<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">But
with imprecise increments, there’s no idea how long it’s taken to arrive at
‘Untitled’<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">A
sign would be welcome…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Autopilot
is engaged, a black object sits in the corner analysis of its contents brought
few results initially.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">‘A
day comes when I realise I have a corpse in my hands – relics of a movement in
art that is now passed…’<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">buzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Despite
the bad treatment his features survive in the ole polychromy<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
wears a plaited band upon his tightly curled hair - some would consider it
course.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">He
looks awkward in his attire<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">On
his knees his suffering is approved<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">A
test for a knight of Faith <o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">How
damaged can something become?<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Become<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Buzzzz<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Be?<b><o:p></o:p></b></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Despite
the decay he is found useful <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">But
upon investigation there isn’t clue to how he came about<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">In
tatters he’s handed over for remedial measures, these include hairspray, pins
and a book.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">His
scraps have currency, set in a box and put on display to ‘reform’ many
characters. <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: 12pt;">Curious
fingers fumble leaving him a little less ‘present’ after each outing…</span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"><br /></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Interactivity
is proving dangerous<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Trading
off divine provenance he is peddled to raise funds for a ‘good cause’<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;"><br /></span></span>
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Someone
writes an eloquent assessment of the situation<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">The
critic’s remarks are cutting, drawing attention to his poor condition and failure
to fight to the bitter end.<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">And
to those who wish to vicariously draw upon a treasury of merit <o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">FIND
YOUR OWN DAMN CRUSADE<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">‘He’
begins to disintegrate under too much scrutiny<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">Existing
in doubt<o:p></o:p></span></span></div>
<div class="MsoNormal">
<span style="font-family: Cambria; font-size: small;"><span style="font-size: 12.0pt;">What’s
left could be dead or worse ordinary…<o:p></o:p></span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<!--EndFragment--></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-53796677302477796462013-04-03T10:59:00.002+01:002013-04-03T11:01:57.055+01:00‘ism’ or ‘ness’<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: 'Trebuchet MS';">Feminism is back
in – or perhaps its me hearing the word a lot these days…</span><span style="font-family: 'Trebuchet MS';"> </span><span style="font-family: 'Trebuchet MS';">I’ve never been able to declare myself as one,
despite the empowerment and my deepest respect for the legacy of that
particular ‘ism’. I am very particular about names, mainly because I don’t want
to contend with a whole bunch of other things to conform or live up to. For
example it’s very important that I keep my surname – not that it can be traced
very far (I have no idea what happened to slave one even) but it’s my property,
I’ve grown into it and defined it. And of course this continual negotiation of
‘Black’ as a cultural/political identity, which becomes (one could argue) more
amorphous by the decade.</span><span style="font-family: 'Trebuchet MS';"> </span><span style="font-family: 'Trebuchet MS';">Interestingly I
went along to a talk at the Arthouse by a young artist who has a plethora of
cultural influences and is admittedly a Lewisham bod. </span></div>
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<span style="font-family: 'Trebuchet MS';"><br /></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-GNHczySKfwc/UVv7-B6YSDI/AAAAAAAAAoo/XPwKwbIH5xc/s1600/EULB+HGUOROB,+Duval+Timothy.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="265" src="http://3.bp.blogspot.com/-GNHczySKfwc/UVv7-B6YSDI/AAAAAAAAAoo/XPwKwbIH5xc/s400/EULB+HGUOROB,+Duval+Timothy.jpg" width="400" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><a href="http://www.southlondonartmap.com/magazine/issue-18/interview-18" target="_blank">Duval Timothy</a> <i>Mahsiwel</i> at <a href="http://www.lewishamarthouse.org.uk/index.html" target="_blank">Lewisham Arthouse</a><span style="background-color: white; text-align: left;"></span></span></div>
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<span style="font-family: 'Trebuchet MS';">Now for me as young adult
I tried to assume some kind of belonging to a generic idea of Black culture and
expanding the notion of Britishness. These days in the ‘urban’
neigbourhoods kids are finding ties with each other through things like postcodes.</span><span style="font-family: 'Trebuchet MS';"> </span><span style="font-family: 'Trebuchet MS';">Now I have to admit dismissing this trend as
a nonsense, mainly because a lot of the information mediated is usually
negative, associated with violent confrontations etc… but this artist made a
really intelligent show appropriating Lewisham as a brand and identity
playfully, showing a confidence and ownership by reconfiguring Lewisham, demonstrating
a fluidity of the meaning of words and even if you don’t understand them what
they could imply...</span></div>
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<span style="font-family: 'Trebuchet MS';">I dunno Lewishamness?</span></div>
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<br /></div>
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<br /></div>
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<br /></div>
<!--EndFragment--></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com1tag:blogger.com,1999:blog-6215990271782560222.post-45284186281941122522013-03-25T12:29:00.001+00:002013-03-25T12:29:09.975+00:00<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://3.bp.blogspot.com/-8-PcNhmU0e4/UVBCwkWFyRI/AAAAAAAAAoY/oZXzP-_SV5o/s1600/losen1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-8-PcNhmU0e4/UVBCwkWFyRI/AAAAAAAAAoY/oZXzP-_SV5o/s400/losen1.jpg" width="247" /></a></div>
<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-14737035336842770022013-03-22T10:11:00.002+00:002013-03-22T12:36:09.133+00:00All in a good cause<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-00mq0lw6whA/UUwtmbfrJxI/AAAAAAAAAoI/rnclW2PLVjg/s1600/auction+cover+(2).JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-00mq0lw6whA/UUwtmbfrJxI/AAAAAAAAAoI/rnclW2PLVjg/s400/auction+cover+(2).JPG" width="281" /></a></div>
</div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-81660132194678045772013-03-18T12:58:00.000+00:002013-03-18T13:02:22.571+00:00Knight of Faith<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://2.bp.blogspot.com/-lBpR3smdLqg/UUcO46P9gFI/AAAAAAAAAn4/Pw9LfZ-InZ4/s1600/IMG_0492.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span style="font-family: Trebuchet MS, sans-serif;"><img border="0" height="300" src="http://2.bp.blogspot.com/-lBpR3smdLqg/UUcO46P9gFI/AAAAAAAAAn4/Pw9LfZ-InZ4/s400/IMG_0492.JPG" width="400" /></span></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;">It’s inevitable, dare
I say it, doubting ones own authenticity - feeling like a series of reflections
of the environment. I could be mistaken but I read somewhere that Barnett
Newton cut himself off critically and socially for a spell in a bid to escape
it. Anyways I found myself also heading back towards the existentialist
territory. It is always rather
attractive at first and then you don’t necessarily find answers you want, but
more answers and references to a load of other philosophers you haven’t read. I
came across Adorno’s <a href="http://www.goodreads.com/book/show/201397.The_Jargon_Of_Authenticity" target="_blank">The jargon of Authenticity</a> – it was just and inkling
really - kinda to do with the book project but probably more to do with the
condition mentioned above.</span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">Reading through
the introduction at some point he began refuting <a href="http://en.wikipedia.org/wiki/S%C3%B8ren_Kierkegaard" target="_blank">Kierkegaard’s idea of ‘radicalinward love’</a>, Adorno found this love uncannily similar to the spiritual love of
Christianity. The book attempted to rattle a kind of pseudo mysticism
he identified in German existentialist philosophy and its community. Adorno critiqued
the ideal of the autonomous intellect, and reckoned that retreating inwards (to
exist serenely) was the life of a dominated individual. For him existence
unaffected by the ‘concrete’ world and its dictates was impossible. <o:p></o:p></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">He was obviously talking
on a grand political scale, but (as he might admit himself) you can attempt to
apply these ideas/theories to anything. So what does that say of the ‘creative
subject’ who struggles to find assurances about what they put in the world? What
makes someone an artist? Is there a set of criteria and would we all be in
agreement upon what they are? Probably not, which is why so many factions exist
so people can agree to agree – implicit, </span>complicit, whatever you want to call it…</span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">But in
cutting that hairball - I think I had submitted to making something badly, but keeping that conviction and hope in arriving
somewhere through the uncertainty. Isn’t that what Kierkegaard would call a
‘Knight of Faith’? We’ve all become accustomed to the idea of getting closer to yourself or a higher being through ritual. Considering Adorno’s critique, perhaps the existentialists were just acknowledging the need for transcendence, no matter show rational or irrational it is. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">It just is…<o:p></o:p></span></div>
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<br /></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-24040221400409983622013-03-04T20:46:00.001+00:002013-03-04T20:46:55.621+00:00<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-12646099476323817212013-02-27T09:44:00.000+00:002013-02-27T09:48:37.071+00:00Layers<div dir="ltr" style="text-align: left;" trbidi="on">
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<!--StartFragment-->
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-iULgG2yvXl0/US3VDkE-TVI/AAAAAAAAAnY/vDhVrfZ0PrQ/s1600/517iPRfySFL._SL500_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://1.bp.blogspot.com/-iULgG2yvXl0/US3VDkE-TVI/AAAAAAAAAnY/vDhVrfZ0PrQ/s320/517iPRfySFL._SL500_.jpg" width="247" /></a></div>
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<span style="font-family: 'Trebuchet MS';"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: Trebuchet MS, sans-serif;">I found myself at
the British Library this week, loving and hating the opportunity I had to track
down virtually any book that’s been printed. I went there hoping that I could
find some answers to my text problem. A problem – I haven’t really got to the
bottom of really. Sometimes the idea gets a bit too big, too much to handle and
although one wants to have layers of meaning and connotations. The timing of
all these layers is critical to the momentum of the thing, making nods to all
the things your artwork could be, can leave you with a mess on your hands. So
initially the project was a very simple idea of making an equivalent to the
relic. Then the process of making the thing itself started to take on a sort of
ritual. At the same time I thought the object aptly stood in for <a href="https://docs.google.com/document/d/1DbOCQrZzOUp-Qyq4Xtu4P4bhLhwfVWLs6_wAqeEvRFc/edit" target="_blank">Maurice</a> in
terms of the ‘suffering’ endured. </span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";"><br /></span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">Then there’s the question of faith…<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Trebuchet MS, sans-serif; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">Some one asked me recently
if I would invoke him, try and call on him for assistance. I can’t say that I
even thought about it. I don’t believe
in deities in that way, and as it’s becoming more and more doubtful that he ever
existed, I think the interest is more about him as a cultural figure, which fuelled imaginations of many artists. So this book in the British Library was dedicated to
cataloguing surviving black Maurice’s. The <a href="http://www.catholic-forum.com/saints/golden277.htm" target="_blank">‘Golden legend’</a>, which has several versions,
is but a small portion of the text. Apart from being a catalogue of 300 objects,
it also contextualizes how these objects came about – invevitably linked to the political wrangling’s
of the time. Interestingly most of the examples came from Germany, which at
around 1500 was pretty much most of the Holy Roman Empire. <o:p></o:p></span></div>
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<div class="MsoNormal">
<span style="font-family: Trebuchet MS, sans-serif;"><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";">Its like the
project is going in two directions… In one way a book project could be an extension
of that catalogue dealing with Maurice as an object rather then a person or metaphysical
figure. On the other it’s an
interpretation of the </span><span lang="EN-US" style="font-family: "Trebuchet MS"; font-size: 13.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;">Hagiography.</span></span><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: "Trebuchet MS";"><span style="font-family: Trebuchet MS, sans-serif;"> I haven’t made up my mind yet and I don’t seem in a
hurry to do so just yet…</span><o:p></o:p></span></div>
<!--EndFragment--></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-43717424612067728542013-02-26T20:30:00.000+00:002013-02-26T20:30:25.875+00:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-30871068998863142902013-01-14T16:24:00.003+00:002013-01-14T16:37:56.918+00:00<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://2.bp.blogspot.com/-XlCftNSjpMM/UPQw8vIrpzI/AAAAAAAAAmA/FNZfzcd-C_Q/s1600/IMG_0182.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://2.bp.blogspot.com/-XlCftNSjpMM/UPQw8vIrpzI/AAAAAAAAAmA/FNZfzcd-C_Q/s400/IMG_0182.JPG" width="400" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
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<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-64046888172144005342013-01-03T21:59:00.000+00:002013-01-03T22:01:51.281+00:00Track change …<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://3.bp.blogspot.com/-yev6Wg7a5fI/UOX9OCBexzI/AAAAAAAAAlw/9oyF21uLI5I/s1600/Alexandre-Dumas-008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://3.bp.blogspot.com/-yev6Wg7a5fI/UOX9OCBexzI/AAAAAAAAAlw/9oyF21uLI5I/s400/Alexandre-Dumas-008.jpg" width="400" /></a></div>
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<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">So how do we say goodbye to another year? As
usual it felt like it passed in a flash, but looking back it was plenty
eventful. I spent Christmas with my folks in the West Indies, it’s funny -
artist friends insisted that it would be a great inspiration, perfect for rejuvenating
my work. I have made some small gestures towards this, but have been more
preoccupied with hanging out with as many cousins as I can find, tracking down
new beaches and drinking plenty of the local produce. Going into 2013… there
are things I want to do, things I have to do and things I don’t really want to
do at all. I’m going back to my studio, which fills me with both excitement and
trepidation. Although I’m feeling a change in terms of what I want to make -there
is still a project I cannot put down, but there is also the desire to make some
mess in a way a can’t do at home. Someone told me recently that there’s a
filmmaker inside me waiting to get out. He could be right who knows, now the
seed is planted, things have a way of materializing in unexpected ways. <o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">I have definitely taken the holiday as an
opportunity to read however. I was put on to a book about another black hero of
a swash buckling kind. This one the <a href="http://www.guardian.co.uk/books/2012/sep/28/black-count-tom-reiss-review" target="_blank">Black Count</a> was the father of Three Musketeers
novelist Alexander Dumas. His mother a slave (from Haiti) his father an
aristocrat, Alex Dumas was a real military man, fighting during the French
revolution in 18<sup>th</sup> century France and the inspiration for many of
his son’s stories. One of the clinchers for buying this book was the
proposition that civil rights and liberties could be fought for on all levels
in France at that time including racial ones. It’s within that context that
this man rose quickly to the rank of a general. Although the effects of the
revolution on French West Indian colonies has been widely documented in books
like <a href="http://en.wikipedia.org/wiki/The_Black_Jacobins" target="_blank">the black Jacobins</a>, I had never thought about the situation in France
itself. I’m not really into war stories or war films a such, the book takes a
lot of information from military records so there is much detail about his
campaigns, (which makes it harder work for me) but the idea of this man is
compelling enough to read on. I know the book is biased and the long dead can
be glorified, but reading this book you wonder how a man so accomplished and
respected could have ever be forgotten. Read along and you realize how protracted
the French revolution was - subject to the wills of several factions and
individuals. By the time Napoleon came in to the mix those early principles of
equality and liberty were some what compromised.<o:p></o:p></span></span></div>
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<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">I am trying to work out why I’m so
interested in these men (<a href="http://en.wikipedia.org/wiki/Saint_Maurice" target="_blank">Maurice</a> and Alex Dumas) on one level I think its about
acculturation, the ‘When in Rome’ factor. They became citizens, learned the rules
and excelled to be exceptional. They were extremely noble men believing in
something higher that of their commanders and they both paid a price… In many ways I think of this in terms of an
art practice, the conviction needed not just to keep it existing - but to give
it life. The Maurice piece played with the idea of a relic. The relic gains
more metaphysical power through the continuation its story. Maurice’s weaponry and
remains have significant symbolism in Austrian and German royalty. There are
heraldic objects fashioned in tribute, I think there is an order of St Maurice
in Italy also. So I think continuing to
write the story of the object I made in tribute to him creates a mythology for
it. But I started it so long ago – it’s all getting a little fuzzy. I’ve got to
work out how to get it back on track. <o:p></o:p></span></span></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-17412538891825116052012-12-16T19:14:00.001+00:002012-12-16T19:16:01.136+00:00Shelter<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: 'Trebuchet MS', sans-serif;">I had the opportunity recently to see the
work of </span><a href="http://www.hauserwirth.com/artists/54/rashid-johnson/images-clips/" style="font-family: 'Trebuchet MS', sans-serif;" target="_blank">Rashid Johnson</a><span style="font-family: 'Trebuchet MS', sans-serif;">, having first seen his work in </span><a href="http://rfc.museum/past-exhibitions/30-americans" style="font-family: 'Trebuchet MS', sans-serif;" target="_blank">30 American’s</a><span style="font-family: 'Trebuchet MS', sans-serif;"> a group
show curated by private collectors the Rubell family. If you’re interested in
the work of African American artists definitely follow the hyper link. It was
an ambitious show, upbeat - lots of sparkle, humour and irony. It was one of
them shows I kicked myself for missing, even though it was in Florida? I’d seen it
during my early drawing days… Johnson’s sloppy waxy black canvases, I didn’t
know if I’d liked them but they were resonating with some things happening in
the studio at the time. There was quite a gap however between that encounter
and seeing the show in London. It can be dangerous waiting too long in anticipation…
after a secondhand view on the internet you wonder whether the work will really
stand up in the flesh </span><span style="font-family: 'Trebuchet MS', sans-serif;"> </span><span style="font-family: 'Trebuchet MS', sans-serif;">- and sometimes it
don’t. So after a culture show slot (that I missed) a Time out review and
several conversations I found myself at the </span><a href="http://www.southlondongallery.org/" style="font-family: 'Trebuchet MS', sans-serif;" target="_blank">South London Gallery</a><span style="font-family: 'Trebuchet MS', sans-serif;"> with a friend
to see it. Johnson methods are multidisciplinary, photography, painting and
video it all ties together in the gallery with a strong sculptural sensibility.
</span><span style="font-family: 'Trebuchet MS', sans-serif;"> </span><span style="font-family: 'Trebuchet MS', sans-serif;">It had a cool formalism, which combined
an abstract expressionist heroism with Africana mysticism. The show was really
intelligent, witty, beautifully made and presented a more contemplative, Post-modern
Black - perhaps of the more vulnerable kind…</span></div>
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<div class="separator" style="clear: both; text-align: center;">
<a href="http://1.bp.blogspot.com/-G2BYkKlLCRc/UM4cWkdrtTI/AAAAAAAAAlg/loJ6djZT4kA/s1600/raj_slg_3_2012-B9j3m4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="http://1.bp.blogspot.com/-G2BYkKlLCRc/UM4cWkdrtTI/AAAAAAAAAlg/loJ6djZT4kA/s400/raj_slg_3_2012-B9j3m4.jpg" width="400" /></a></div>
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<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">I loved his shelf pieces displaying a Victorian
book fetish, more slop and other found objects. On the walls as well as the aforementioned canvases,
smoky photos, wooden panels branded, scored and gauged within an inch of their
life. I looked around the show wondering if this was new like the time out
review claimed. I wasn’t sure… The middle of the show had a grand nod to
minimalism, four day beds in the sequence of rotation and continued to nod vigorously
to cannons of American art history and Freud as a modern idea of psychology. </span></span><span style="font-family: 'Trebuchet MS', sans-serif;">Using medicinal substances like shea butter
and black soap, the notion of ‘healing’ was ever present - got me thinking
about that perpetual debate about the health of the Black psyche. In this
framing Freud represents something both positive and negative - our growing
understanding of the mind, our desire to treat it and the appropriation of
cultural objects to facilitate and evidence Euro centric knowledge structures.
In fact looking at those upturned beds, I wondered for moment whether I was
looking at the fresh trophies of a safari hunt.</span></div>
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<span lang="EN-US"><span style="font-family: Trebuchet MS, sans-serif;">So what made it a new black as Time out
claimed? Well maybe a not so widely known back story of an educated, middle
class ‘brother’ musing on the legacy of 70’s American Africana for one. In this
way it becomes an historical episode in American history and in some respects the
work does look like it belongs to another time. There was also a kind of
personal thread to this history, which gave him ownership and others a way in to the subject. All I know is that
in many respects the show wasn’t new, but he managed to disarm the knees that
usually jerk under fear of accusation and attack. Perhaps this is more about
timing, now firmly in the 21<sup>st</sup> century maybe people have enough
distance and an open mind to read the other nuances that has always been
present in this kind of work.<o:p></o:p></span></span></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-10071534456704444352012-11-06T15:02:00.000+00:002012-11-06T15:08:51.723+00:00Noise making a difference?<div dir="ltr" style="text-align: left;" trbidi="on">
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<span style="font-family: "Trebuchet MS";"><br /></span>
<span style="font-family: "Trebuchet MS";">My other great love
is music. I have meandered around few genres Jazz, several variations of soul,
I’m also partial to a bit of electronic stuff, House, techno, electro, tech
house etc… I used to love listening to pirate stations at college and felt naughty
playing speed garage down in my studio at Slade lol! But I have soft spot for
reggae, grew up on a steady flow of <a href="http://www.rocksteadyrootsofreggae.com/english/rocksteady.html" target="_blank">Rock Steady</a> and <a href="http://en.wikipedia.org/wiki/Lovers_rock" target="_blank">Lovers Rock</a>. So I couldn’t
resist seeing a film entitled the latter by filmmaker Manelick Shabazz. Very
entertaining, it shed light on something, which could have been forgotten. I left the screening with an assurance that that music was marked in history, the culture and associated
experiences along with it. Lovers Rock was another step in the British
development of reggae music, moving away from the overtly political stuff that
preceded it.<o:p></o:p></span></div>
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<span style="font-family: 'Trebuchet MS';">I was a bit young
for Lovers Rock to be honest, and couldn’t really appreciate it in the way it
should be (watch the film). I have really early memories of listening to bits
and pieces in the 70's in my uncle’s old ford Cortina. It’s incredibly sweet
and syrupy and not really groundbreaking in a political sense or so I thought
until I watched the movie. Against the socio-political backdrop the music
didn’t have an overt political message, but the film proposed it as a tonic for
the harshness of the times. I am from a musical generation accused of not
having any political agency at all. For a long time I felt irritated by those
who would flash their musio-political credentials in my face.</span></div>
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<br /></div>
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<span style="font-family: "Trebuchet MS";">I attended a
one-day symposium on the subject, the opening speaker John Street attempted to
question our association of music with social change. He presented it as a
widely accepted theoretical proposition, citing philosophers such as Plato and
Adorno amongst others that has little empirical evidence. <o:p></o:p></span></div>
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<br /></div>
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<span style="font-family: "Trebuchet MS";">I dunno maybe pop
music has been regarded too disposable to be given serious analysis. There are
many musical forms that would not be included in the political repertoire but
the idea of affecting people… that happens anyway doesn’t it - whether you’re
actively trying to change the world or not? <o:p></o:p></span></div>
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<span style="font-family: "Trebuchet MS";">It took me quite a
while to include music in my work, probably because the stuff I liked didn’t
really have gravity politically or otherwise. In the first instance playing <a href="http://www.youtube.com/watch?v=t58pdCyDSlU&feature=plcp" target="_blank">St Germain</a> in a gallery seemed highly charged – I was very preoccupied with the
gallery at the time. But my
studio is quite noisy actually. Making the speaker box piece felt like a very
different act, I always feel rather exposed when I hear it. Maybe the final
edit didn’t put across the full gamut of stuff I was listening to. I suppose
I’m interested in evidencing the eclectic nature of influences in an
individual’s life. And other influences such as art historical ones to – I reckon
that piece answers back to Robert Morris’ <a href="http://www.see-this-sound.at/works/196" target="_blank">Box with the sound of its own making</a>.
But less heroic, cheaper materials and a tad emotional…<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-3229193499579035722012-10-11T10:30:00.001+01:002012-10-11T10:33:12.212+01:00Art?<div dir="ltr" style="text-align: left;" trbidi="on">
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<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-PfWl1_v4blk/UHaRXgdtKQI/AAAAAAAAAk4/sKz0bngOQYA/s1600/Contemporary+Art+Collective+01a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="250" src="http://4.bp.blogspot.com/-PfWl1_v4blk/UHaRXgdtKQI/AAAAAAAAAk4/sKz0bngOQYA/s320/Contemporary+Art+Collective+01a.jpg" width="320" /></a></div>
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<span style="font-family: Trebuchet MS;">CAC (Contemporary Art Collective) R.I.P Art 2008</span></div>
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<span style="font-family: Trebuchet MS;"><br /></span></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I haven’t been
blogging for a while. I have chastised myself for this, although I wouldn’t
think of it as an artistic activity, its’ one the few sounding boards I have.
My thoughts flow better when I hear them aloud or see them in front of me. In
reality it will have to fit with the ebb and flow of life… you understand I
hope. The book idea is going slowly and I’ve
had some visual ideas for it. Thankfully this will provide an opportunity to
revel in process and material (hopefully) in a print room. I can stop thinking about words, research and
meaning for a bit, so things can just flow… <o:p></o:p></span></div>
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<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">So while I’m going
slowly the seasons kicking off, galleries putting their best foot forward,
Freize Art Fair and the rest. I went along to a couple of talks at Tate recently
by live artists <a href="http://www.tate.org.uk/context-comment/articles/welcome-his-situation" target="_blank">Tino Segal</a> and <a href="http://www.tate.org.uk/context-comment/video/turner-prize-2012-spartacus-chetwynd" target="_blank">Spartacus Chetwynd</a>. It’s not where I’m at right now, but somehow
I’m still drawn to a more demonstratively ‘active’ art space. I find the making and use of props in
Chetwynd’s performances attractive, but in hearing her speak, I thought she
underplayed the academic grounding of her work. She seemed to prioritise a
sense of fun and suggest that fun was entirely the point. I struggled to believe
this, not that I think fun doesn’t have a place in art. Maybe we all know too
much? Maybe we’ve heard about the equivalency of high and low culture,
interrupting or sabotaging gallery conventions too many times. Certainly the
installation gives more information, such as a text by </span><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: Helvetica; mso-bidi-font-weight: bold;"><a href="http://en.wikipedia.org/wiki/Bertolt_Brecht" target="_blank">Bertolt Brech</a>t</span><span lang="EN-US" style="font-family: "Trebuchet MS";"> </span><span style="font-family: "Trebuchet MS";">examining
and valorising amateur theatre and her explanation about using Chaucer’s tales
as a mirror to reflect morality of current times. If I believed it were only
about fun - one could find it at a good club night or festival. Perhaps the
difference is whether you’re out of your head or not. But in her talk she did
mention </span><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: Georgia;"><a href="https://scholarworks.iu.edu/dspace/bitstream/handle/2022/2327/30(1-2)%20129-139.pdf?sequence=1" target="_blank">Mikhail Bakhtin</a></span><span style="font-family: "Trebuchet MS";"><a href="https://scholarworks.iu.edu/dspace/bitstream/handle/2022/2327/30(1-2)%20129-139.pdf?sequence=1" target="_blank">’s</a> notion of Carnivalesque, proposing the essential function of
frivolity as a radical rethinking of society.<o:p></o:p></span></div>
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<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">In response to a
statement about art not wanting to look like it, Mr Segal reckoned his work was
readily received as art - that perhaps built into the </span><span lang="EN-US" style="font-family: "Trebuchet MS"; mso-ansi-language: EN-US; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;">paradigm</span><span style="font-family: "Trebuchet MS";">
of what new forms can be, is the freedom to renounce the values of its’ predecessor.
He had some other criteria to, but I forget now - I didn’t make notes… But I discovered that the art institution and
its characteristics are central to the framing of his work. His question ‘is it
good art?’ is just as complicated and nuanced as the ‘is it art?’ question -
very much dependant upon social and cultural circumstances and values. I have
heard and read the term ‘anti art’ on many occasions in historical texts, but
you wonder whether any of these gestures succeeded in destroying art as a concept. If anything its’ become porous – an amorphous
entity which could feasibly embrace everybody and everything. So maybe asking
if something is art a pretty futile these days? I think artists are weary of the
pedestal, of the quasi-religious or genius standing of (so called) ‘high’ art
forms in relation to other creative ones? If the thing becomes too lofty then its
struggle to live up to, we’re all human after all…<o:p></o:p></span></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-10734167667120523702012-10-10T08:59:00.002+01:002012-10-10T09:01:50.783+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-dUht1uga7-M/UHUq2L_vMMI/AAAAAAAAAkk/Gr-YOj304bc/s1600/IMG_0139.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://4.bp.blogspot.com/-dUht1uga7-M/UHUq2L_vMMI/AAAAAAAAAkk/Gr-YOj304bc/s400/IMG_0139.jpg" width="400" /></a></div>
<br /></div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-41554719405696828592012-09-03T09:06:00.003+01:002012-09-03T09:06:43.899+01:00<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/--1e6q_bG4fM/UERk8A1tEYI/AAAAAAAAAkQ/Q3l3An019Qc/s1600/photo.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/--1e6q_bG4fM/UERk8A1tEYI/AAAAAAAAAkQ/Q3l3An019Qc/s400/photo.JPG" width="400" /></a></div>
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;"><br /></span>
<div style="text-align: center;">
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">Some times making things out of love and tenderness is reason </span><span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">enough</span><span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">...</span></div>
</div>
Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-19228581859050052702012-09-03T08:46:00.002+01:002012-09-03T08:50:31.126+01:00Heroes<div dir="ltr" style="text-align: left;" trbidi="on">
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<a href="http://1.bp.blogspot.com/-6-cnqiBx05w/UEReXsFScpI/AAAAAAAAAj8/-MDv6pLJZGQ/s1600/DSC08404.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="292" src="http://1.bp.blogspot.com/-6-cnqiBx05w/UEReXsFScpI/AAAAAAAAAj8/-MDv6pLJZGQ/s400/DSC08404.JPG" width="400" /></a></div>
<span class="Apple-style-span" style="font-family: 'Trebuchet MS';"><br /></span>
<span class="Apple-style-span" style="font-family: 'Trebuchet MS';">So what’s been
happening this summer?</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I managed to get to
the odd show or two, a beautiful video installation at the <a href="http://www.tate.org.uk/whats-on/tate-modern-tanks/exhibition/sung-hwan-kim" target="_blank">Tate Tanks by Sung Hwan Kim</a> – in fact the Tanks are a very brave departure for Tate, hopefully it
will draw a larger audience to installation and performance art. It’s not quite so Tate friendly, but I think that’s ok - it can’t all be user friendly and funfair all
the time. It a beautiful and sensitive installation, (if you don't mind the dark) go and see it.</span><br />
<span style="font-family: "Trebuchet MS";"><br /></span>
<span style="font-family: "Trebuchet MS";">I took part in huge group show for a short spell, spent a few hours
of tinkering here and there with the work… but I have to admit being well
distracted by the rare sunny days we’ve had and the Olympics. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">I kinda got into a
new routine with it, and was lucky enough to see some finals in the stadium –
I’m not madly into sports but do revel in herd behavior from time to time. I
found the focus on athlete’s psychology really fascinating, and the perpetually
reiterated equation of hard work equalling success…. What kind of success are
they talking about - shiny medal success??? A friend of mine reckoned the medal
made life that much simpler. I wondered whether he was being a tad judgmental at
first, but actually some things are less clearly delineated as goals and so corresponds your own perception of achieving them - some are
short term and other goals become…. revised. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">It’s been heroics
all summer, I was swept away by the Olympians and almost jealous by how these
individuals galvanised and inspired the populous. We all need heroes, although
I haven’t much taste for admiration of any entire individual really.<span style="mso-spacerun: yes;"> </span>I like the idea of moments – notable gestures
and actions. That way you get the best facets and discard the shit bits lol! <o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">Finally I’m gaining
some ground with this book/object/thing. The idea of writing got the better of
me. While
being introduced to avant garde publishing house <a href="http://www.vam.ac.uk/content/articles/t/the-gaberbocchus-press/" target="_blank">Gaberbocchus press</a>, Stefan
Thermerson (one of the founders) didn’t describe himself in nouns i.e. artist,
poet etc, but in a series of casually sequenced verbs - that humility made the task a bit more approachable.<o:p></o:p></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Trebuchet MS";">Anyway thinking of
best bits, <a href="http://en.wikipedia.org/wiki/Hagiography" target="_blank">hagiography</a> and martyred <a href="http://en.wikipedia.org/wiki/Saint_Maurice" target="_blank">Maurice</a> (who has become a bit of a hero)
it made sense to bring another hero into the mix. He’s not exactly my hero, but
he is heroic in terms of making sculpture. I'm wondering how many heroes or bits of heroes might figure in this? it is probable that the conflict between these differing influences might just spill over...<o:p></o:p></span></div>
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-46091789835077873392012-08-03T13:23:00.000+01:002012-08-03T13:26:30.508+01:00A reworking...<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://2.bp.blogspot.com/-gaFS8WothXw/UBvChSoz25I/AAAAAAAAAjo/6kTxWsxaFTY/s1600/DSC08098.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-gaFS8WothXw/UBvChSoz25I/AAAAAAAAAjo/6kTxWsxaFTY/s400/DSC08098.JPG" width="267" /></a></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">UTBA 2011/12</span></div>
<div style="text-align: center;">
<span class="Apple-style-span" style="font-family: 'Trebuchet MS', sans-serif;">in 'No Now' at <a href="http://www.spacestationsixtyfive.com/" target="_blank">Space Station 65</a></span></div>
</div>Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-2425911242941818932012-07-12T13:38:00.000+01:002012-07-12T13:57:29.985+01:00Self made…<div dir="ltr" style="text-align: left;" trbidi="on">
<div class="separator" style="clear: both; text-align: center;">
<a href="http://4.bp.blogspot.com/-CTLo5iSjNX0/T_7JchMd7ZI/AAAAAAAAAjY/sJJwKsJXQbo/s1600/grayson.tiff" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="200" src="http://4.bp.blogspot.com/-CTLo5iSjNX0/T_7JchMd7ZI/AAAAAAAAAjY/sJJwKsJXQbo/s400/grayson.tiff" width="400" /></a></div>
<br />
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<span class="Apple-style-span" style="font-family: 'Trebuchet MS';">I have to admit
that I was also a fan of the Grayson Perry ‘<a href="http://www.channel4.com/programmes/in-the-best-possible-taste-grayson-perry/4od" target="_blank">All in the Best Possible Taste</a>’ on
Channel 4 last month. Straight off the title takes me back to Kenny Everett as <a href="http://youtu.be/ZkqxagJglaI" target="_blank">Cupid Stunt </a>flinging his legs around with his plastic boobs bobbing about. </span></div>
<div class="MsoNormal">
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<div class="MsoNormal">
<span style="font-family: 'Trebuchet MS';">But apart from the
nostalgia, I thought Mr Perry had some really pertinent things to say about class
and taste. Despite looking at this
through a purely English lens, if anything it enabled people to see parallels with
issues resonating within their own circumstances. For example, I like the idea of the plight of
the ‘self-made’ middle classes being in-between without much of a yardstick to go
by… the anxiety about how to live, what to consume, how morally upstanding to
be – and all this with an awareness of privilege living in the middle. Then he
presents the Upper classes as carrying the burden of preservation, upholding
family heritage, culture and tradition. Honestly when you saw how some of these
people lived - it were as if they were living in a giant sarcophagus. Perry
talked about these issues very eloquently and depicted his perspective without
mercy. I especially liked the lord of the manor as a dying breed, being hunted
down by the nouveau riche.<o:p></o:p></span></div>
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<a href="http://1.bp.blogspot.com/-MJ4dI-vnyrk/T_7EVz77CuI/AAAAAAAAAjM/tzeFmOH82sc/s1600/double+2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="267" src="http://1.bp.blogspot.com/-MJ4dI-vnyrk/T_7EVz77CuI/AAAAAAAAAjM/tzeFmOH82sc/s400/double+2.jpg" width="400" /></a></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: 'Trebuchet MS';">The programme got
me thinking afterwards about heritage, and my place in its preservation or
perpetration. I’ve always been quite cavalier about it. Not that I haven’t
cared about it; I’ve always felt weary of feeling burdened. How much does one
depend or use history to foster new narratives? It might sound like a strange
thing to say, but sometimes it feels like you’re competing with history. I’ve
been kind stuck on the ole Maurice tale - and I must admit slightly conscious
of the B word, as for some it seems like old news. These are the extremes of
this artist lark… you’re either obsessed with your work or just in doubt.<o:p></o:p></span></div>
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<div class="MsoNormal">
<br /></div>
</div>Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0tag:blogger.com,1999:blog-6215990271782560222.post-18415465898517104632012-07-11T12:56:00.001+01:002012-10-08T10:52:22.215+01:00A new edition<div dir="ltr" style="text-align: left;" trbidi="on">
<br />
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<span style="font-family: 'Trebuchet MS';">I’ve been a bit
neglectful of the blog of late, summer even when its raining is eventful enough
- millions of degree shows, tennis the odd barbeque… oh! And I did a kids workshop
with a couple of really talented guys. They’re an animation and sound duo
called <a href="http://tapebox.co.uk/">Sculpture</a> - these guys collage bits of audiotape, found sounds and
footage, bringing the zoetrope into the present by using a record deck and
video camera to simulate that 19<sup>th</sup> century technology. We had a
group of 15 kids ranging from 10 - 14 years old. They really ran with the idea
and created some brilliant stuff. <o:p></o:p></span></div>
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<iframe allowfullscreen="allowfullscreen" frameborder="0" height="375" mozallowfullscreen="mozallowfullscreen" src="http://player.vimeo.com/video/50948032" webkitallowfullscreen="webkitallowfullscreen" width="500"></iframe> </div>
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<span style="font-family: Trebuchet MS, sans-serif;"><a href="http://vimeo.com/50948032">Phonotropia Animation Workshop</a> from <a href="http://vimeo.com/sculpture">Sculpture</a> on <a href="http://vimeo.com/">Vimeo</a>.</span></div>
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<span style="font-family: 'Trebuchet MS';">I like way these
aside experiences connect with what’s happening in your own creative little
universe. I was drawn to Sculptures oscillating visuals; there was an affinity
with the animation I made this year. I wanted to make a <a href="http://phonotropia.blogspot.co.uk/">phonotropic disk</a> - fortunately
an opportunity fell into my lap where I could do it in a fun way. Not sure if
there is anything in it as yet, but I have made a little edition of my spot
film for numbe82. I’m not really an editions type of artist, but actually I
really like them and think there might be scope to make another lightbox type
assemble. On this occasion I made a set
of 15, but I have over 150 frames, which might make a lovely little collection.
They will be on sale during <a href="http://www.deptfordx.webeden.co.uk/#/welcome/4552417510" target="_blank">Deptford x</a> at <a href="http://www.number82.org/number82.org/home.html" target="_blank">number82</a>, so if you’re interested pop
over to Tanners Hill SE8 between 27 July -12 August and pick one up…<o:p></o:p></span><br />
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Amanda Francishttp://www.blogger.com/profile/03296504751393053938noreply@blogger.com0